Archive for the 'Concerts' Category
Eva, aka Miss Never — click for Saturday’s photo gallery
It is one of the “only in San Francisco” sort of affairs in which we love to indulge, with thousands of people decking themselves out to the nines for three days of decadence in the extravagant and recently beautifully renovated Regency Ballroom center (Mike Vau de Vire told me they were pulling the blue painter’s tape off on Friday during setup). Having moved from the Great American Music Hall, where the Ball has been held in prior years, there was some concern as to whether the much larger Regency Ballroom could be filled; after three days of packed halls, that question has been answered.
The Ballroom Saturday night — click for Saturday’s photos
Saturday was the main night of the ball, with the headliner and chanteuse Jill Tracy playing with the Malcontent Orchestra, and later the hosts Rosin Coven, accompanied with performances by Cirque Berzerk and Vau de Vire Society.
These may be my favorite costumes of Friday night — click here for the gallery.
Friday night was steampunk-themed (though not explicitly advertised as such so as to avoid offending us purists), but brass and goggles and steam-powered contraptions were certainly donned by many an attendee, and those self-ascribed purveyors of steampop Abney Park definitely put on a great show. Rounding out the lineup musically were those corseted and quirky Rasputina, of whom I am a fan (what’s not to like? women playing cello, corsets, songs of nonsense and tomfoolery sung with a straight face? Indeed).
Sunday’s gallery is coming as soon as I finish editing the 1,000+ photos I shot for it. Check back Thursday night — they had better be up by then, for the next eve I depart for an additional fix of hats and corsets at the Los Angeles edition of the Edwardian Ball at the Tower Theater. (You should go).
And did you know I added a “prints” section?
New photo galleries — GWAR, BRAF’s Artumnal Gathering, Bohemian Carnival, Hubba Hubba Revue, and 5&Diamond’s AnniversaryMonday, December 1st, 2008
All jam-packed in this extra-special bonus post! Separate descriptions and writeups coming soon.
GWAR, Kingdom of Sorrow, Terror, and Toxic Holocaust at the San Francisco Regency Center Ballroom in November.
Bohemian Carnival at the DNA Lounge, at which my 24-70 2.8 Zeiss was knocked down and broken.
Hubba Hubba Revue’s Girl Gang at the DNA Lounge.
Black Rock Art Foundation’s (BRAF) Artumnal Gathering at the Bentley Reserve, at which I ran a portrait station the entire evening.
5 & Diamond’s 1-Year Anniversary party at Supperclub San Francisco.
This Saturday saw the second installation of the Crazy Hay Maze party in Half Moon Bay by Circus Metropolus and Anon Salon. The Nexus party the week at the same location a scant week earlier stole much of the thunder this this party, for people were fairly wrecked after the first (or so I’ve heard). I ran a photo studio tucked into one of the rooms in the maze; pictured above is Star St. Germain.
Last week at the DNA Lounge was a show with Bloodline, Claire Voyant, and Stripmall Architecture (sometimes Halou) and they played music. And it was good. All three of them. Fans of Halou are still raving about the show. Click image above or here for the gallery.
And now, for some upcoming events at which I’m shooting (or you could just check the calendar):
TONIGHT: GWAR at the SF Regency. I’ve been hired to shoot them. I find this hilarious. (Monster costumed thrash metal? Oh yeah). Going to have to watch out for the sprays of fake blood, however.
TOMORROW: Hubba Hubba Revue at the DNA Lounge.
SATURDAY: The Black Rock Art Foundation’s Artumnal Gathering at the Bentley Reserve; my photos will be on display, and I’m running a small on-location studio for portraits.
SUNDAY: Five and Diamond’s 1-year anniversary party at Supperclub San Francisco.
See the gallery here.
Last night I was brought in to cover the Scottish post-rock band Mogwai at a sold-out show by Golden Voice at the Regency Center ballroom in San Francisco (a decadent place of marble and turn-of-the-century chandeliers). Composers of long melodic guitar-based pieces almost completely without vocals, Mogwai is not a band to which you pound your head out — the mood of the crowd was subdued (I heard audience members hush one another) — though they were certainly a fan of suddenly snapping the crowd to attention by breaking a long quiet interlude with a blast of sound and strobes so bright they warmed the audience (and blinded me through my viewfinder).
Having heard their name many times before, I still had not yet heard any of their music before coming to the show; but to a new listener, they did not disappoint.
This gallery will be updated soon, as what you see here went up the same night as the show itself.