The Blight, © Neil Girling, 1998-2017

Archive for the 'Burning Man' Category

Burning Man 2009 photo gallery

Tuesday, September 8th, 2009

The Man burns, Burning Man 2009

My photo gallery from Burning Man 2009 is complete.  You can find it here.

Expect a full post-burn report in the next several days.

Coming soon: Burning Man photos

Monday, September 7th, 2009

Your post-DPW Parade narrator
Post-DPW Parade, Saturday at Burning Man 2009

Your intrepid narrator is hard at work sorting near 3,000 photos taken this past week at Burning Man.  They will be online here this evening. Until then, take a look at the handful of images I posted from the playa while at Burning Man here, or occupy yourself with last year’s gallery.

Live from the playa

Thursday, September 3rd, 2009

$teven Ra$pa at Burning Man 2009
$teven Ra$pa at the Regionals Soiree

My third batch of Burning Man 2009 photos are online. You may see them here. (Photos are in chronological order in the set).

Tree, Burning Man 2009
Tree sculpture, Burning Man 2009

Deathguild Thunderdome at Burning Man 2009
Deathguild Thunderdome pranked as Hot Topic

Click here for the full gallery.

First photos from Burning Man 2009

Tuesday, September 1st, 2009

The Man, Burning Man 2009The Man at Burning Man 2009

It’s dusty here. I have some photos online; perhaps you wish to see them?
Nifer in her Carhart corset

Nifer in her Carhart work corset

It’s still early in the week and many pieces aren’t finished quite yet, so check back again soon for the next batch of photos.


Departure & next week’s coverage

Friday, August 28th, 2009

Dust storm, Thursday, Burning Man 2007

I depart within the next few hours for Burning Man 2009 — we’re taking a leisurely trip up and staying the night in Tahoe — but we arrive early tomorrow afternoon. I will be updating TheBlight.net / Twitter / Flickr with updates throughout the week, wifi and conditions permitting, so check back often and see photos as the week unfolds.

You may absolutely use my photos for your blog if you A) give credit as “nightshade, theblight.net” and B) link back here. If you wish to use them for anything else, please contact me. I will reply as soon as I an able.

See you in the dust.

Fandango Placement, part deux

Tuesday, August 25th, 2009

playamap

Preliminary map, Fandango at Burning Man 2009

We received new information regarding our preliminary placement at this year’s Burn, and I’ve reflected that in the above map. We arrive this Saturday afternoon.

Note that this, like the one before, is still a “best-guess” and may not be accurate. The only thing we know for sure is that our address is listed as 3 o’clock and Adapt. Come find us and have a drink. And now, back to packing.

‘Tis the season

Monday, August 3rd, 2009

fandango

This is a best-guess on my part from the preliminary placement data they gave us.

The Burn this year is a go. I once again serve on the art documentation team, meaning I’m supposed to take photos of things. It’s a job I can handle. This year you may find me within the Fandango Village, and we are conveniently located at the 3 o’clock plaza (Adapt and 3:00).

Galleries from prior years: 2008, 2007, 2006

UPDATE: This map is a best-guess on my part.

Under wraps: and if so, why bother?

Thursday, February 19th, 2009

There exist in my archives a very large number of images never seen by anyone — a quick estimate puts the number at over 100,000. The vast majority of these are the duplicates, the blurry, the over/under-exposed, the ill-composed; you would be most disappointed to see them, I wager. I have heard it said anyone can be considered a good photographer if they only choose the right photos to post, but I digress: I’m not here to talk about the mountain of bad photos I have sitting here, and I’m not here to tell you the various trite reasons the ones worth posting remain languishing in the dark. No, I’m here to ask: why bother doing it at all?

I have always tried to put my work on display, even when it (frequently) was not worthy of it. My goal was not the criticism and critique of others, for I am and have always been my own harshest critic, and am never satisfied but for a moment with anything I have done. For if I cannot find flaw in a creation, it means either that it is perfect (which is utterly impossible) or that, instead, I’m not yet skilled enough to identify what is wrong. And, if so, I should not rest until I can do so. Nor did I (do I?) present and showcase for the (undeserved) praise that I sometimes received. Instead, all I wanted was acknowledgment. “Look, I did this, and I am proud of it for a moment.” A nod would be more than sufficient.

To not share is to be unfulfilled: it’s akin to laughing at a joke in an empty room. You turn and cast about, hoping to share it with someone — anyone — and thereby expand your own experience and joy, but no one’s there and you sigh and carry on. It’s like filling your mouth with fine wine and not swallowing.

I am not some artist laboring in obscurity to fill some void, some need in my psyche, only to have my work discovered posthumously — I cannot claim that dignified a goal. It is a performer whose traits I share, the desire for an audience. Though instead of even a quiet, polite applause, I instead satisfy myself with pageviews and bandwidth (oh woe is me). Ours is work to appreciate after the fact, for though we and the performers are plying our trade at the same moment, their act is the moment, and my photos will be up tomorrow.

Periodically someone will ask why do I bother? Why do I spend all this money and time and effort and go through the stress and pain and sleepless nights to do this? (For, perhaps you do not know, but I do not do this for a living. In fact, it barely — if at all — pays for itself. It depends on how I do my books). And I will not offer up some asininely banal reason such as “I enjoy it.” I can do better than that, and will explore that topic in a future post.

Ultimately, the answer here is that there is no point whatsoever for me to shoot something if no one ever sees it. There’s your tree-in-the-forest solution; did anyone hear it? Yes? No? Irrelevant.

All this was a very fancy (read: longwinded) way of saying “Oh hi, look, I didn’t post these last year for various reasons, but I am now. You should look (and thus validate their existence and my effort). Kthxbai.” And so, without further ado, I present you with a very small gallery of “studio-esque” — that is, contrived and posed and planned to some degree, and not a live performance — photos of miss Erica Mulkey, aka Unwoman, from a shoot she hired me for mid last year. She has not made use of them yet, but I have her permission to publish them — go here for the full gallery.

A Year in Review Part 2 — 2008

Tuesday, January 20th, 2009

I shall continue where I left off in Part the First, no less tired this time around, but a scant few hours before my self-imposed bedtime — and if I don’t finish it now, then when? Indeed.

Once again, the full gallery of my Year in Review photographs can be seen here — I have selected one photo per thousand I shot all year (45,000 in all), picking ones I thought particularly interesting in the story they told, amusing somehow, or just a personal favorite.

The first image is Magdelene Veen, formerly of Abney Park, at the Emerging Illusions fashion show with Creatureform Designs; she reposted several of these photos titled “I am some sort of demon crow.” Her act was that of a ballerina; and this shot, though backstage, reminds me of the same flow and movement (though I’m not sure she even knew I took this).

We of course love the Dresden Dolls, those purveyors of punk cabaret and one of the first mainstream underground (yes, I’m aware of the contradiction) acts to combine musical and non-musical performance acts on their stage — for, in 2005, as a fan of the Dresden Dolls, how else would I have been introduced to Vau de Vire Society but by seeing them perform onstage alongside a favorite band? The rest is history. Pictured here is Brian Viglione at the Fillmore, where I was brought in to shoot the show (and I had dinner with Brian, Amanda and Meredith Yayanos beforehand: they’re all amazing sweethearts).

Hiding ‘neath the swirl of the skirt here is Leila Bazzani of Black and Blue Burlesque, performing with the Yard Dogs Roadshow at Lightning in a Bottle 2008. You may notice a similarity to a certain other photo of mine, which just so happens to be her partner in crime, Tuesday Blue.

Please see the rest after the cut (even if it’s just to browse the photos…).

(more…)

New photo galleries — GWAR, BRAF’s Artumnal Gathering, Bohemian Carnival, Hubba Hubba Revue, and 5&Diamond’s Anniversary

Monday, December 1st, 2008

All jam-packed in this extra-special bonus post! Separate descriptions and writeups coming soon.

GWAR, Kingdom of Sorrow, Terror, and Toxic Holocaust at the San Francisco Regency Center Ballroom in November.

Bohemian Carnival at the DNA Lounge, at which my 24-70 2.8 Zeiss was knocked down and broken.

Hubba Hubba Revue’s Girl Gang at the DNA Lounge.

Black Rock Art Foundation’s (BRAF) Artumnal Gathering at the Bentley Reserve, at which I ran a portrait station the entire evening.

5 & Diamond’s 1-Year Anniversary party at Supperclub San Francisco.